Dining tables had been huge and thick set, the baluster or bulbous legs being held by solid stretchers which served as foot rests. The frieze is usually carved, or a lot more seldom, as in the draw-major table in the Victoria and Albert Museum, inlaid when in some cases the frieze is carved on the front only, the sides getting left plain. In late sixteenth-century stretchers there is a projection on the leading surface making it T-shaped in section, a kind which gives place to a rectangular section in the early seventeenth century. The table leg shows the fullest development of the bulbous support. Developing from the knop, the large bulbous form was established in the late years of the sixteenth century and existed for pretty much a century, for an oak table in the possession of Mr. Frank Green, dated 1668, has this bulbous gadrooned leg. An uncommon variant is the dropped bulb.
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Table tops were regularly covered with a “carpet” or “cloth” of Turkey operate, coloured leather, or other components. The excellent oval table with folding sides in the “Wonderful Rooms or Hall subsequent the Banketing Property” had its cover of red leather bordered with blue gilt leather, reduce to match it, as are the table covers depicted by Abraham Bosse, exactly where the cloth, which hangs pretty much to the ground, is tied or buttoned at the corners.
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Oval and round tables were a lot utilised in the seventeenth century. Falstaff is circumstantially described by Mistress Promptly as “sitting in my Dolphin chamber, at the round table.” Chair tables with tip-up tops have been produced as early as 1558, in which year a “round chair table” in the parlor is bequeathed by Andrew Cranewise of Bury, in his will, printed by the Camden Society.
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The columnar leg seems in the final decade of the sixteenth century, and is especially characteristic of the early seventeenth century. In some examples, as in the oak table in St Michael’s Church, St Albans, the leg has a quasi-classical capital. Baluster legs, turned and ringed, replaced the bulbous leg in the late seventeenth and eighteenth centuries. An elongated peg-prime help, usually left plain and decorated with rings, was borrowed from Holland in the late seventeenth century.
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Little tables for use in parlors varied in the shape of the major, which was oval, round, or octagonal. Closely equivalent are the octagonal table, dated 1606, in the possession of the Carpenters’ Company, and Elias Ashmole’s table at Oxford. In each the slender bulbous legs are fluted, and the arcading is notched even though in the Carpenters’ Company’s table there is a moulded surrounding and plain cross stretcher. Folding or flap tables, in which the flap is supported by a swinging leg, have been light in make, and generally set against the wall until necessary. Such tables appear in the manuscript inventory taken in 1569 of goods at Tannis, in Hertfordshire, and in that of household stuff at Howard Property in 1598??.
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